I had enough of the movies, to be honest with you. Why return from your hiatus with Les Miserables? You haven’t done a big project like this in a long time. The music is classic and enthralling in a way that a staged musical never could be. It’s a familiar story, for sure, but the execution is sophisticated and smart. One moment the minds of Jean Valjean and Javert are amplified by the incessant plinking of simple piano strings and the next we are witnessing the horrors of Fantine literally selling her body for the sake of her child. The score shows a huge amount of range, and he really digs into the minds of the characters. This is a classic tale of redemption with a sprawling scope and massive cast, and that wasn’t lost on Muphy. If you look at his resume (you can sample his music here), there isn’t anything like Les Miserables on it. I had no idea that he was the man who created that jolting music behind the opening sequence of 28 Weeks Later, and he also composed the lyrical and epic sound to Danny Boyle’s Sunshine (not only an underrated film, but an underrated score).Īfter taking a personal hiatus to focus on family and his personal life, Murphy wanted to jump back into scoring something completely different. You’ve heard the music of John Murphy but you may not know it. John Murphy, however, isn’t really a fan. ![]() Since it debuted over 3 decades ago, Les Miserables has won the hearts of millions around the world. Or you saw the film adaptation that won Anne Hathaway her first Oscar a few years back. When you hear the title Les Miserables, you automatically think of the bombastic and overly played Broadway musical that came to a city near you. John Murphy returns from a personal hiatus to score PBS Masterpiece and BBC’s adaptation of Victor Hugo’s classic novel.
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